Metasketching research_ Stages 1 and 2
{:4_1402:} [翻译] : 总结一下。取得了一些进展，还有很多要做，但不管怎样，我们在这里了。你们可能已经注意到了，我正在进行博士研究，专注于“概念素描”创新。我正在寻找新的方法来摆脱粘性的创造性习惯、肌肉记忆或常规问题解决方式。这些联系表是我实验第二阶段的总结。在这个阶段，我使用了AI和VR来创作概念草图，它们保留了手工绘制草图的迷人模糊性，但完全是在数字和3D环境中完成的。第一阶段促使我尝试利用VR打破肌肉记忆，使用AI打破色彩选择，以及让我从形式语言的重复使用中解放出来。这些图像的目标纯粹是为了促进创新过程，允许多种解读，并鼓励观众继续他们对概念的独特发展。它们刻意抽象且有些模糊，但仍包含可读元素，为创新的方向设定线索。对于关注我之前帖子的人来说，这个系列完全献给了一位特别的人物——Syd Mead。Wrap-up. A bit of the progress, there is still a lot to do, but hey, here we are.
As you_ve probably noticed, I am running (doctorate) research focusing on _ideation sketching_. I am looking for new ways how to escape sticky creative habits, muscle memory, or routine problem-solving.
These contact sheets follow up with a summary of the second phase of my experimentation. In this stage, I have used AI and VR to create conceptual sketches that carry all the engaging ambiguity of the handmade sketches while being fully done in digital and 3d.
The first stage opened a series of my attempts to leverage VR to break muscle memory, AI to break color palette choices, and to liberate me from repetitive use of form language.
The goal of such imagery is strictly to contribute to the ideation process, to allow multiple interpretations, and to encourage viewers to carry on with their own evolution of the concept. They are intentionally abstract and somehow ambiguous, yet they have readable elements that set the direction where idation is meant to happen.
Note: For those who had followed my previous posts, it should be no surprise that this whole series is dedicated to one and only Syd Mead.
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