My first and last traditional matte painting (oils on masonite). Not a great painting but it is a great film that I was very lucky to work on at a young age. The painting needed to match a full scale airbrushed wall built on set so it was OK if it looked painterly. CG water by Morgan Trotter and digitally composited by Todd R Smith. I remember matte painter Christopher Evans loaned me a blending brush made from badger hair that looked like a shaving brush that allowed me to do a lot of the soft blending. On a side note, some horrendous contrast was added to this shot for blu-ray. The contrast here is more representative of what we had in mind.
[翻译] : 我的第一也是最后一幅传统柔和画作（用石膏板上的油画颜料创作）。这幅画不算出色，但它是我年轻时非常幸运参与的一部电影。这幅画需要与片场搭建的全尺寸气喷墙相匹配，所以即使有些绘画风格也无妨。水景由摩根·特罗特绘制，然后由托德·史密斯进行数字合成。我还记得柔和画师克里斯托弗·埃文斯借给我一把由獾毛制成、看起来像剃须刷的融合刷，它帮助我做了很多软性融合。顺带一提，这张画面在蓝光版中添加了极其夸张的对比度。这里的对比度更接近我们当时的构想。 
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